Lone Star in Field Study - Ster van Betlehem in Field Study

Some weeks ago, I decided to follow a Lone star patchwork course, organised by 't Wolwinkeltje, a local fabric shop. The first lessson was last week and I already had chosen my fabric at home: Field Study by the very talented Anna Maria Horner.

Enkele weken geleden schreef ik me in voor een cursus "ster van Betlehem" in 't Wolwinkeltje. Afgelopen week was de eerste lesavond. Ik had thuis al mijn stoffen gekozen: Field Study van de onnavolgbare Anna Maria Horner. 

 As always her fabrics make for many possible combinations and it's fun to see how even the large scale fabrics work well in these rather small diamond patches. The points of the star came together surprisingly fast and before I quite realised it, I had finished one point.

Zoals altijd combineren haar stoffen prachtig met mekaar en het is leuk om te zien hoe zelfs de stoffen met grote patronen goed verwerkt kunnen worden in de tamelijk kleine ruiten. De punten van de ster kwamen verrassend snel samen, en voor ik het goed en wel wist had ik één punt van de ster klaar.

And then a second.

En dan een tweede.

 And then number three and four.

En dan nummer drie en vier.

Half a lone star in just a few evenings, I must say I was pleased with this result! The next lesson is in a month or so, and I will have to decide on my background fabric. Solid? Dots? A Field Study fabric? Decisions, decisions, so difficult to make decisions.

Een halve ster van Betlehem op enkele avonden tijd, het kan slechter! Binnen een kleine maand is de volgende les, hopelijk zal ik dan ook kunnen beslissen welke stof ik ga gebruiken voor de achtergrond. Effen? Bolletjes? Een stof van de Field Study reeks? Twijfel, twijfel.

Kaffe Fasset - Brandon Mably workshop

Today, I followed a workshop by Kaffe Fasset and Brandon Mably. They were in Belgium for a couple of days and several patchwork and knitting workshops were organised by two fabric shops, 't Wolwinkeltje in Leuven and Lana in Antwerp.

Vandaag volgde ik een workshop van Kaffe Fasset en Brandon Mably. Ze waren voor een paar dagen in ons land en er werden verschillende patchwork- en breiworkshops georganiseerd door twee winkels, 't Wolwinkeltje in Leuven en Lana in Antwerpen.

 For the patchwork workshop in Leuven, they used the design from the quilt "Sunlight in the forest" from Kaffe's latest book Quilts in Sweden. Now I have to admit that this quilt is not at all my style. Too busy, too many flowers, too chaotic, no solid in sight. I'm way out of my comfort zone with this one. But I saw this as an occasion to learn how to combine fabrics and colours and how to step outside of my usual style.

Voor de patchwork workshop in Leuven werd de quilt "Sunlight in the forest" gebruikt, van Kaffe's laatste boek Quilts in Sweden. Ik zal hier maar onmiddellijk toegeven dat deze quilt helemaal niet mijn stijl is. Veel te druk, veel te veel bloemen, naar mijn mening één grote chaos en geen enkel veilig effen kleurtje te bespeuren. Dit is helemaal mijn ding niet. Maar ik zag de workshop vooral als een oefening in leren combineren en leren wat anders doen.

We were supposed to bring at least 25 different fabrics with flower prints, not the same colours but the same tone. The purpose was to make a quilt without too much contrast. We were encouraged by Kaffe and Brandon to try out as many fabrics as we could. It was amazing to see how different the designs from all of the participants were. Some remained true to the original, others went a completely different way. They all had a very individual style. At the end of the workshop, Kaffe and Brandon talked about every design separately.

We moesten 25 verschillende bloemenprints meebrengen, niet van dezelfde kleur maar wel dezelfde toon. De bedoeling was een quilt te maken zonder al te grote contrasten. We werden door Kaffe en Brandon aangemoedigd om zoveel mogelijk stofjes te proberen. Het was behoorlijk verrassend om te zien hoe verschillend de resultaten van alle deelnemers waren. Sommigen bleven het origineel behoorlijk trouw, anderen volgden een hele andere richting. Ze waren allemaal heel individueel. Op het einde van de workshop werd elke inspanning apart besproken door Kaffe en Brandon.

If there's one thing I regret, it's that we didn't get an email-list of all the participants. It doesn't happen often that I meet so many nice ladies who happen to like patchwork and I would love to see more of their work!
Als er één ding is waar ik spijt van heb, dan is het wel dat we geen email-adres kregen van de deelnemers. Het gebeurt immers niet vaak dat ik zoveel dames ontmoet die graag patchworken. Het zou leuk zijn foto's te zien van hun quilts!

Fat Quarterly Retreat 2012, London

Last weekend, London was host to a multitude of events: concerts, royal visits, more than 1000 boats on the Thames, but most of all the very first Fat Quarterly retreat.

I bought a weekend ticket, so I had time to follow 4 workshops. I signed in for workshops that would allow me to learn new techniques, so I started from scratch in every class. As it was obvious that the Fat Quarterly organizers went to great lengths to make everything possible and put a lot of time and effort in this weekend (I can’t even start to imagine how much time went into organizing this event), I think it’s only fair to them to put at least some time and effort into this post and give an honest account. So prepare for lots of text.

Saturday morning: registration and goodie bag

Registration went smoothly, and to my surprise and delight, everyone received a goodie bag. There was fabric (Moda, Robert Kaufman and Oakshott), and plenty of fun stuff that always comes in handy. And Aurifil, which I have never used, so I will get a chance to see how different it is from my usual Gütermann.

 The contents of the goodie bag

We also received a "lottery ticket", and to my surprise I actually won something later that day: a "Sassy" by Sandy Gervais layer cake!

 

Saturday AM: Freezer paper piecing with Kerry

Kerry makes the most beautiful blocks using this technique, so it’s not an exaggeration to call her an expert. We could choose between several examples, some with Y-seams and one without. I chose the simplest block (without the Y-seams) because I had never done freezer paper piecing before. Everything was explained clearly by Kerry, who brought several examples of finished pincushions and mini-quilts.

  The start

Kerry is a teacher in real life, and it showed: this clearly was a professional at work. She was prepared for everything (or at least looked as if she was), brought enough material so that even the forgetful students could participate (I plead guilty here: I had no freezer paper, kind of annoying in a freezer paper class), explained everything clearly and had several blocks in a half-finished stage so that we could see where to go from then. On top of that, she had a kind word for everyone and managed to encourage us all individually. 

My only regret is that I did not choose a block with Y-seams, as I think it would have challenged me more. But the most important thing is that I learned the technique. I’m really happy to have followed this workshop and am sure I’ll use the technique again in the future. I actually have already been searching the internet to buy some freezer paper.

 This was my finished block. It has yet to be transformed into a pincushion.

Saturday PM: English paper piecing with Tacha (and Brioni)

Another technique, and again an expert to teach us. Tacha makes stunning cushions, clocks and even whole quilts using this technique. She has a book out now, explaining how to do it, but I was lucky enough to be in her class.

We could choose between 3 projects: Hexed in,  Snowball and Square dance. I always have admired (not to say envied) the Square dance cushion that Tacha made, so I naively thought to give that a try and enthusiastically cut hundreds of tiny pieces of fabric in preparation of this class. I was a fool. 

The first 15 minutes or so of the class were spent cutting paper pieces (it is called paper piecing after all), something I also should have done at home. After that there was a short explanation, and everyone started sewing.

It took me about another 15 minutes or so to go completely nuts. Fiddling and tinkering with those small pieces of paper and fabric drove me insane. I didn't have the patience to do it, and probably never will.  I might consider making a big quilt using this design and machine stitch it, that might be a possibility. But at least I gave it a try and know that it's not my cup of tea. And it was nice to sit all together at a big round table. Now that I know how much time goes into making her quilts, I admire Tacha even more! The amount of patience of that lady is beyond my imagination and reach. And I must not forget to add that Brioni was absolutely charming and wonderful.

 This is what I had managed after 2,5 hours in the workshop

 And this is what I had after exploring my masochistic side
and spending a couple more hours working on it.

Sunday AM: Fatquarterly design challenge with Katy en John

I was a bit surprised to find this workshop on my list of classes, as I did not remember signing in for this class, but I thought, why not? Tips about making your own block design and how to mix and match fabrics are needed and welcome as far as I'm concerned.

Everyone sat at one of the big round tables again, paper and pencil ready, and John gave a very short introduction about how useful it can be to sit behind a piece of paper and think about an original block design. First we had to make a block with squares and rectangles, then with triangles and finally with stars. Everyone had to show his design after each round and explain the how and why of it. It was a unusually calm and silent class, firstly because the group was really small, and secondly because everyone was concentrated on their own design.Glancing at your neighbour's design felt a bit like cheating in school. And John and Katy were really sweet, but were also concentrated on their design, like everyone else around the table.

To be honest, I could have used a bit more tips about designing a quilt block. The idea is not without merit, but I wouldn't exactly call it a class, as I don't really have the impression I learned something. Maybe it should have been more concrete, or a theoretical part followed by a class? Analyzing different quilt blocks and quilts? A bit more interaction at the table? And some mixing and matching fabrics tips would have been welcomed too.

Sunday PM: Portholes technique with Lucie Summers

This was without a doubt the class I was most looking forward to. The portholes quilt from Lucie Summers is stunning and I was very curious to see how to make these blocks.

Lucie was a fun teacher, although it was sometimes difficult to hear her because of the noise from the other groups in the main hall. But she made sure to go to everyone and explained everything to me again so I could get started again in a slightly less chaotic way than my first try.

It turned out to be quite simple, actually, and I managed to finish one porthole without a problem. If I had brought my own sewing machine, no doubt I would have managed to make a second block. I'm really looking forward to make more blocks with the flower template we also received. And maybe make letters, that would be fun. Everyone was really exited about this class and I'm sure there will be plenty of portholes quilts showing up on Flickr over the next couple of weeks and months.

 The result: a finished but very wrinkly porthole!